News

NEW ALBUM

Vol. 5 of our Dvořák record­ing was released on 21 Novem­ber 2024.

2 CDs:

String Quar­tet No. 1 in A major op. 2 B. 8
String Quar­tet No. 7 in A minor op. 16 B. 45
String Quar­tet No. 11 in C major op. 61
Two Waltzes op. 54 for string quar­tet and double bass

Double bass: Frith­jof-Mar­tin Grabner

The 2024/25 sea­son will once again fea­ture our sub­scrip­tion series at Konzer­thaus Ber­lin with four con­certs, each Sat­urday at 18.00 h:

30 Novem­ber 2024
25 Janu­ary 2025
5 April 2025
24 May 2025 

We will be per­form­ing string quar­tets by Haydn, Moz­art, Korngold, Kagel, Kodaly and Grieg as well as “Im Anden­ken” based on the frag­ment of the Andante from Franz Schubert’s String Quar­tet in C minor D 703 (2007) by Ber­lin-based com­poser Sarah Nemtsov.

In the com­ing sea­son, we will be wel­com­ing cla­ri­net­tist Mar­tin Span­gen­berg for Reger’s Cla­ri­net Quin­tet and viol­ist Öykü Can­po­lat for the string quin­tets by Moz­art and Bruckner.

You can find the detailed pro­gramme under “Pro­jects” on our website.

Info and tick­ets / sub­scrip­tions are avail­able at Konzer­thaus Berlin.

From 29 Septem­ber to 3 Octo­ber 2024 this year’s Kam­mer­musiktage Hom­burg took place with 6 con­certs and the title “Le bœuf sur le toit”.

Photo: Thor­sten Wolf / Saar­brück­er Zeitung 

Our guests this year were the pian­ists Nami Ejiri and Mat­thi­as Kirschnereit, Sophia Jaffé (viol­in) and Jan Ick­ert (cello), the viol­ist Öykü Can­po­lat and the Arcis Sax­o­phone Quar­tet with the per­cus­sion­ist Chris­ti­an Benning.

“The Vogler Quar­tet also earned such approv­al on Sunday even­ing with its tightrope walk between late Roman­ti­cism and free ton­al­ity through the close-meshed tex­ture of Alban Berg’s String Quar­tet op. 3, and above all with its cheer­fully relaxed rendi­tion of Giuseppe Verdi’s unique quar­tet. Tim Vogler (first viol­in), Frank Rei­necke (second viol­in), Stefan Feh­land (viola) and Stephan For­ck (cello) dis­pelled the great opera composer’s self-doubts about his occa­sion­al work with charm and cheer­ful serenity, espe­cially in the clev­erly dabbed stac­ca­tos of the final fugal scherzo.”

Paul O. Krick, Saar­brück­er Zeitung